Title: Vinyl (The Vinyl Trilogy #1)
Author: Sophia Elaine Hanson
Published: November 2015
Genre: Young Adult, Dystopia, Steampunk
Rating: 5 Stars
Cover: Like it
Ronja staggered back and forth across the room half a dozen times, rolling the kinks from her neck and kneading her shoulders. The exercise worked the hitches from her mind. For the first time in her life, her thoughts were bitingly clear. Everything that had happened over the course of the last few days was impossible. A shiny without a Singer. A makeshift hospital underground. A symbol invisible to an entire city that she alone could see. Her Singer, ripped from her skull just before The Quiet Song could drag her under. Ronja halted, her heart writhing in her ribs. The Conductor tried to kill me, she thought dimly. Why?
All citizens within the soaring black walls of Revinia have metal Singers grafted into their skulls at birth. The parasitic machines issue a form of auditory hypnosis called The Music, which keeps their minds malleable and emotions flat. All artistic expression—especially real music—is strictly prohibited. On the edge of the city, nineteen-year-old Ronja struggles to support her cousins and disabled mother. A chance meeting leads to her kidnapping by an underground resistance striving to preserve the human spirit. Violently severed from her Singer by the brash young agent Roark, Ronja revels in her newfound freedom until the consequences of her disappearance begin to unfold.
“Uncaged ideas can be dangerous, even deadly” (p. 56).
An emotionally investing dystopian story set in a steampunk society with characters worth fighting for. Vinyl is immersive, dunking the readers right into this futuristic world.
One theme highlighted heavily in this story is one that is common with dystopian books: class structure. However, Hanson handles this with such grace that it doesn’t feel like we hear this theme over and over in this genre. The vivid writing connects the audience with the disparity those on the outer circle feel, like Ronja and her family. Ronja’s family has been genetically modified in order to serve the Conductor and suppress their emotions better. While they are the ultimate servant and citizens of this repressed society, they are the lowest of the low. No one wants to hire them, talk to them, or associate with them in any way. Ronja has to bust her butt working every job she can get her hands on in order to provide for her alcoholic mother and two young cousins. One of these jobs is how she met Roark and was thus thrust into a secret underground society with little to no choice.
The Anthem is a resistance group that is on the brink of demanding a revolution. As Ronja is introduced to this strange world without The Music controlling your thoughts and actions, and to the slew of dynamic and diverse characters, I couldn’t help feel the excitement she felt. There was this hope that she could’ve never even let herself dream of. There was joy in feeling emotions in a far more tangible way without the demands of the Conductor’s way of living blocking and dulling them. As Ronja encountered real music for the first time, as she encountered dancing and singing and rejoicing in freedom, it made me appreciate the privileges of this life I live so much more. We have freedom over our thoughts, over our emotions, over who we want to be. How amazing is that?
Ronja learns just how powerful ideas and thoughts are. They can change and shape the world. They are the very thing that scares those in power, the very thing that drives the resistance. Individual ideas and thoughts are the tools to create the reality we live in, which is why books like this are so important! I felt a pull in my gut to fight for the characters in the midst of all their dangerous situations, and I couldn’t let go! I can’t wait to see how the characters fight in book two, Radio.